Writings about Instruction Art--

Bibliography of Instruction books, articles, etc.

Art by Instruction and the Pre-History of do it
- Bruce Altshuler

Yoko Ono Interviewed by Hans Obrist
-Mix a building and the wind

Art of Instruction
- Ric Royer

T.A.Y.I. Event/Exhibit Curatorial Statement
- Ric Royer

A Sense of Direction
- Interview of Ric Royer by Bret McCabe

 

--[Home]--[Works]--

BIBLIOGRAPHY

Austin, J.L. How to do things with Words. Oxford: Oxford University Press, 1962.

Auslander, Philip. Liveness. London, New York: Routledge, 1999.

Auslander, Philip. From Acting to Performance: Essays in Modernism and Postmodernism. London, New York: Routledge, 1997.

Barabási, Albert-Laszló. Linked : The New Science of Networks. New York: Plume, 2002.

Barthes, Roland. S/Z. Oxford: Basil Blackwell Ltd, 1990.

Barthes, Roland . "From Work to Text" in Modern Literary Theory. ed. Philip Rice and Patricia Waugh. New York: Arnold, 1996.

Barthes, Roland. Image Music Text. New York : Hill and Wang, 1977.

Basinski, Michael. Strange Things Begin to Happen When a Meteor Crashes in the Arizona Desert. Cleveland: Burning Press, Cleveland, 2001.

Bernstein, Charles, ed. Close Listening. New York: Oxford University Press, 2000.

Blass, Thomas. The Man Who Shocked the World. New York: Basic Books, a member of the Perseus Books Group, 2004.

Brindle, Reginald Smith. The New Music. New York: Oxford University Press, 1987.

Cage, John. Notations. New York: Something Else Press, 1969.

Cage, John. Silence: Lectures and Writings by John Cage. Middletown CT: Wesleyan University Press, 1973.

Cage, John. Song Books. New York: Henmar press, 1971.

Carlson, Marvin. Performance; A Critical Introduction. London and New York: Routledge, 1996.

cheek, cris. “Skin: of noise”. Unpublished Diss. University of Ohio, 1998.

Collin, R.G. “A brief history of the Shaw alphabet”. G.B. Shaw Preface to Wilson. 2005.<http://victorian.fortunecity.com/vangogh/555/Spell/shaw-pref.html>

Cope, David. New Directions in Music . Dubuque, Iowa: W. C. Brown Co, 1976.

de Certeau, Michel. The Practice of Everyday Life. Berkeley: University of California Press, 1984.

Derrida, Jacques. Of Grammatology. Baltimore : Johns Hopkins University Press, 1998.

Dezeuze, Anna. “Origins of the Fluxus Score.” Performance Research vol.7 no.3 (2002): 78-94

D’Ignazio, Catherine. “Micropolitical Machines”. Unpublished diss. Maine College of Art, 2005.

Diringer, David. The Hand-Produced Book. New York: Mayflower press, 1953.

Obrist, Hans Ulrich, ed. Do It. Franfurt: Revolver, Frankfurt/Main, 2004

Drucker, Johanna. "From Mallarme to Metadata: the rhetoric of the book in traditional and electronic forms." Link 8 (2002): 31-53

Dworkin, Craig. Reading the Illegible. Illinois: Northwestern University Press, 2003.

Eco, Umberto. The Open Work. Massachusetts: Harvard University Press,. 1989.

Eco, Umberto. The Limits of Interpretation. loomington and Indianapolis: Indiana University Press, 1990.

Ferneyhough, Brian. Collected Writings. ed. James Boros and Richard Toop. Amsterdam: Harwood Academic Publishers, 1995.

Freidman, Ken. “Working with Event Scores: A Personal History”. Performance Research vol.7 no.3 (2002): 124-128

Freidman, Ken. “Events”. Best Before. October 2005. <http://www.temporaryart.org/best_before/events/text_eng.html>

Gaburo, Virgina. Notation. San Diego: Lingua Press, 1977.

Goehr, Lydia. The Imaginary Museum of Musical Works; an Essay in the Philosophy of Music. Clarendon Press, Oxford. 1992

Griffiths, Paul. Modern Music and After. New York: Oxford University Press, 1995.

Hejinian, Lyn. “Continuing Against Closure.” Jacket #14 (July 2001).

Hejinian, Lyn. The Language of Inquiry. Berkeley: University of California Press, 2000.

Howe, William R. "Home Launch Kit: Aeropoem #1." Ferrum Wheel issue #3, (2002): loose insert.

Jean, Georges. Writing; The Story of Alphabets and Scripts . London: Thames and Hudson, 1987.

July, Miranda, and Harrell Fletcher eds. Learning to Love You More. 2001. <http://learningtoloveyoumore.com/>

Karkoschka, Erhard. Notation in New Music; A Critical Guide to Interpretation and Realization . New York: Praeger, 1972.

Kirby, Michael. Happenings. New York: E.P. Dutton & Co., 1966.

Kotz, Liz. "Post-Cagean Aesthetics and the Event Score." October magazine 21. (2001)

Kots, Liz. Words to Be Looked At: Language in 1960s Art. MIT Press, 2007.

Lehman, Thomas. Schreibstuck. 2000

Lessig, Lawrence. Code and Other Laws of Cyberpace. New York: Perseus Publishing, 2000.

LeWitt, Sol. “Paragraphs on Conceptual Art”. Artforum June, 1967.

MacLow, Jackson. "Language and Politics" (publisher, date, location unspecified)

Matt, Gerald. “What is Art Good For?” Exhibition Catalogue published through Kunsthalle Wein. 2003

Mauricio Kagel; Homme:age 60. Works by Mauricio Kagel . Kolner Philharmonic, January 18 and 19 1992

McCafferey, Steve & Nichol, bp. Sound Poetry: A Catalogue. Toronto: Underwhich Editions, 1978.

McInerney, Michael. “ The Musical Work and the Incursion of Writing into Music.” unpublished Diss. draft. Dartington College of Art, October 2005.

Mijksenaar, Paul. Open Here: The Art of Instructional Design. Joost Elffers Books, 1997.

Milgram, Stanley. The Individual in a Social World: Essays and Experiments. McGraw-Hill, New York. 1992

Milgram, Stanley. Obedience to Authority. New York: Harper and Row, 1974.

Milgram, Stanley. “The Small World Problem.” Psychology Today 2 (1967): 60-67

Nerve Lantern. Ellen Redbird, ed. issue 5. 2004.

Olsen, Redell and Susan Johanknecht. here are my instructions: London: Gefn Press, 2004.

O'Neill-Butler, Lauren. " Harrell Fletcher Learning to Love Him More". Supernatural. (2005) <http://www.supernaturale.com/articles.html?id=71>

Ong, Walter J. Orality and Literacy; The Technologizing of the Word. Routledge, London and New York. 1988

Ono, Yoko. Grapefruit. Simon and Schuster, New York. 1964.

Read, Gardner. Pictographic Scoring Notation. Westport, Connecticut: Greenwood Press, 1998.

Read, Gardner. Source Book of Proposed Music Notation Reforms. New York: Greenwood Press, 1987.

Robinson, Julia E. “The Brechtian Event Score: A Structure in Fluxus.” Performance Research vol. 7 no. 3 (2002), 111-123

Robson, Ernest. Poetry as Performance Art. (no location given): Primary press, 1976.

Sartre, Jean-Paul. Existentialism and Human Emotions. New Jersye: Citadel Press, 1957.

Savran, David. Breaking the Rules. New York: T.C.G, 1986.

Schwartz, Elliot, & Barney Childs, eds. Contemporary Composers On Contemporary Music. New York: De Capo Press, 1998.

Shechner, Richard. Performance Studies; An Introduction. New York: Routledge, 2002.

Schechner, Richard . Between Theater and Anthropology . ( University of Pennsylvania Press, 1985.

Upton, Lawrence. “How do they perform that?” self-published lecture from Fifth Sub Voice Colloqium, September 29, 2001.

Upton, Lawrence and Bob Cobbing, ed. Word Score Utterance in Verbal and Visual Poetry. London: New River Project, 1998.

Watts , Duncan J. Six Degrees: The Science of a Connected Age. New York: W.W. Norton and Company, 2003.

Watts , Duncan J. Small Worlds : The Dynamics of Networks Between Order and Randomness. Princeton NJ: Princeton University Press, 2003.

Young, Karl. “Notation and the Art of Reading.” A Book of the Book. ed. Jerome Rothenberg and Steve Clay. New York: Granary Books, 2000.

Wilson, Richard Albert. The Miraculous Birth of Language. Preface by W.B. Yeats. Philosophical Library, New York.1948 <http://victorian.fortunecity.com/vangogh/555/Spell/shaw-pref-2.html#alphabet>

Zitt, Joseph. Surprise Me With Beauty. New Jersey: Metatron Press, 2001.